3 fast 3 furious

“For the last F’ing time, I’m not Paul Walker.”

WTF? Roger Ebert liked Fast and the Furious 3 (3 fast 3 furious).

((But in "The Fast and the Furious: Tokyo Drift," he takes an established franchise and makes it surprisingly fresh and intriguing. The movie is not exactly "Shogun" when it comes to the subject of an American in Japan (nor, on the other hand, is it "Lost in Translation"). But it's more observant than we expect, and uses its Japanese locations to make the story about something more than fast cars. Lin is a skillful director, able to keep the story moving, although he needs one piece of advice. It was Chekhov, I believe, who said when you bring a gun onstage in the first act, it has to be fired in the third. Chekhov might also have agreed that when you bring Nathalie Kelley onstage in the first act, by the third act the hero should at least have been able to kiss her.))